This post is one part anecdote -me desperately searching for sheep, cattle or horses- and one part me looking for usable frames, ending up doing a composite and a substantial crop in order to create the final image. You’ve all probably heard about ‘sky replacement’, this is about ‘sheep replacement’.
One of the reasons that I’m so passionate about intentional camera movement is the fact that the most mundane, non-iconic location you can imagine can be transformed into a compelling piece of art. With addition of texture layers, the light doesn’t even have to be perfect. In fact, it can even be quite bad, lens flare and /or blown out skies, not a problem. Continue reading
As I was processing the other day, trying to slightly darken an area that was just a tad too bright, I was reminded that the perceived luminosity is dependent on the luminosity values next to any given specific area. I have read about this in several books but never fully grasped the implications. Continue reading
As you may have noticed I have a newfound passion for using texture layers, I have already shared my process a couple of times. Not long ago I realized that in some specific cases, there’s no need for the typical time consuming process that I have previously described . This post is about those occasions, perhaps too obvious to mention as it’s far from a groundbreaking discovery on my part. Continue reading
When it comes to photography it is crucial for the creative process to know you limitations and equally important, your skill set. It is said that our brain can not deal with technical issues and creativity simultaneously.
For this reason it’s vital that you truly know your camera inside out, at no point should you have to focus on technical aspects. This is nothing new, I have read about this in numerous books on the subject. When I first learned this I thought I understood, in reality I didn’t. Only as my experience grew did I truly understand, I now know from experience that it is true. When your camera becomes a part of you, your creativity will increase and with it the number of successful photographs. Continue reading
Since I wrote my original post on texture layers and ICM I have tried an alternate approach that I thought I’d share.
It’s not exactly a revolutionary discovery, it’s more of a shortcut when processing and use of several texture layers with different blend modes. Normally when I process in Photoshop I do a lot of fine tuning, global and local adjustments before I start experimenting with textures.
A FEW WORDS ABOUT MY “VISIONS” PORTFOLIO
Do You Ever Get The Feeling That You Got Something For Free?
Even though I had spent hours on each photo and put a lot of thought into every processing decision, this was the feeling I got when I started experimenting with textures on my ‘old’ ICM images, what was to become my “Visions” project. This was of course an illusion, after all I – as always – had but a lot of thought and effort into the original processing. Nevertheless, it was a good feeling that gave me energy when I chose the perfect texture and blend mode for my favourite images that I thought had potential for new life with the help of further processing by adding one or several texture layers. Continue reading
I’ve added a new photo to my A Study In Colours project.
It was shoot with my X100T in October last year visiting a favourite location of mine nearby. The light came and went so I went back and forth between using my B+W CPL to slow the shutter and using the CPL with the X100T built in 3 stop ND. The built in ND is a feature that I really like, it comes in very handy, just activate it and it’s there.