Photography – Sometimes You Have To Work With What You Have

This post is one part anecdote -me desperately searching for sheep, cattle or horses- and one part me looking for usable frames, ending up doing a composite and a substantial crop in order to create the final image. You’ve all probably heard about ‘sky replacement’, this is about ‘sheep replacement’.

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The Importance Of Knowing Your Limitations And Skills

When it comes to photography it is crucial for the creative process to know you limitations and equally important, your skill set. It is said that our brain can not deal with technical issues and creativity simultaneously.

For this reason it’s vital that you truly know your camera inside out, at no point should you have to focus on technical aspects. This is nothing new, I have read about this in numerous books on the subject. When I first learned this I thought I understood, in reality I didn’t. Only as my experience grew did I truly understand, I now know from experience that it is true. When your camera becomes a part of you, your creativity will increase and with it the number of successful photographs. Continue reading

Intentional Camera Movement – Shooting Technique

Impressions - Volume Twenty-SevenIn this post I want to share with you the shooting technique, and thoughts about this photograph, shot with my Fujifilm X100T.

Short version, you need a shutter speed of around 0.5 second or slower, my latest shots are between 0.5 – 1.5 seconds. You don’t need a tripod to use this technique.

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The Challenge Of An Unfamiliar Landscape

In this post I want to share with you how I approach the challenge of a new unfamiliar landscape, very different from what I am used to.

A Study In Colours - Volume ThirteenShort version, don’t get distracted by the new environment, take a deep breath, remind yourself that all the basics still apply, a weak composition is still a weak composition, clipped highlights are still clipped highlights.

Long version, keep on reading.

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Intentional Camera Movement- The Importance Of Experimenting

ApparitionsI want to share a secret with you. I did not plan this project. Honestly I didn’t.

It is a product of one part pure chance, one part willingness to experiment without expectation of coming away with the perfect shot. In this post I want to take you through the story behind it, why I think it works and why it is one of my favourite projects.

The first two photos were shot a cold and windy winter day last March, I was at the stables with my wife trying to do a long overdue new portrait of our retired thoroughbred race horse, Zorran. Incidentally, if you have ever done portraits of animals, you know that it is not easy, lets just say that they have no sense of the importance of standing still, posing in a way that makes them look their best.

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